Disposable is a photographic series that investigates the necropolitical transformation of the soldier’s body under the intersecting regimes of war, capitalism, and nationalism. The uniform, once a marker of national identity and ideological loyalty, appears here stripped of function and symbolic value – no longer worn with pride, but abandoned like industrial waste. The photographic series examines the uniform as both material residue and ideological trace, a sign of how militarized bodies are produced, used, and disposed of within a system that fuses violence with economic and political efficiency.