Disposable is a photographic series that investigates the necropolitical transformation of the soldier’s body under the intersecting regimes of war, capitalism, and nationalism. The uniform, once a marker of national identity and ideological loyalty, appears here stripped of function and symbolic value—no longer worn with pride, but abandoned like industrial waste. The photographic series examines the uniform as both material residue and ideological trace, a sign of how militarized bodies are produced, used, and disposed of within a system that fuses violence with economic and political efficiency.